Percorrer por autor "Avella, Alessandra"
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- 3d modeling, sustainability and jewelry design: a systematic literature reviewPublication . Avella, Alessandra; Pisacane, Nicola; IPCB. ESARTAbstract: This paper proposes a systematic literature review (SLR) as a continuation of the research on gemstone drawing, building upon the outcomes of previous research conducted by the authors and expanding the field of inquiry to include sustainability issues in gemmology. The review conducted in order to analyze scientific contributions consistent with the international discussion on sustainability, also according to the Sustainable Development Goals, was limited to publications from the last decade. Having defined the specific areas of focus, as much related to the disciplinary field of design as to gemmology and sustainability, a qualitative quantitative analysis was conducted on more than 700 articles. The analyses allowed the authors to discuss the geographical distribution of authors and the keywords identified, as well as to propose in-depth focuses for the categories “eco-design,” “gemmology,” “promotion,” and “innovation.” In particular, the latter noted how technological innovation applied to digital modeling can bring significant benefits to gemmology from a sustainability perspective, offering interesting insights for future development of the present research
- Vestimenta drawing in use by the Romans : toward an archive of Pompeii clothing patternsPublication . Avella, AlessandraAbstract : This research treats about the women’s cloth-ing drawing used in classical Pompeii, aiming to integrate the results of scientific studies developed in other disciplines on clothing in ancient Rome and in the Provinces of its Empire with those of the Drawing dis-cipline. The research is based on the disci-plinary approach of Drawing in the study of iconographic sources, starting from the graphic analysis of the classical iconography of the National Archaeological Museum of Naples (MANN), compared with the histo-riographical sources for the representation of the main women’s tailoring patterns and both decorative and chromatic motifs, also in relation to the natural fibers of which the fabrics were made. The result of this analysis is an unpublished, systematic collection of technical drawings (patterns) of the various women’s clothing types, that bring back to the drawing a character of critical analysis rather than illustrative as often occurs in the scientific literature on the subject.