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“Breakfast Serialism” for laptop orchestra and improvisers: A study on twelve-tone indeterminacy using computer mediation

dc.contributor.authorDias, Rui
dc.date.accessioned2016-04-29T13:27:20Z
dc.date.available2016-04-29T13:27:20Z
dc.date.issued2015
dc.description.abstractThis paper presents the concepts developed for my piece “Breakfast Serialism”, for laptop orchestra and improvisers. This piece introduces several conceptual and technical aspects made possible by the use of computer mediation using network communication between the conductor and the performers. The piece is intended as a study on some of the technical and musical potential of the networked laptop orchestra. It is divided in six sections, each one exploring different musical possibilities for the application of the computer as a mediator, that ‘listens’ to all the events from the ensemble, and algorithmically adapts the pitch and dynamic possibilities using custom software developed in the Max/MSP programming environment. The concepts and technical aspects will be described, as well as an insight to the background and some of the specific points of interest and concerns in electronic music ensembles, reflecting a conviction that laptop ensembles present vastly rich, unique and underexplored compositional possibilities. This piece was composed for the ‘EME – ESART Electroacoustic Music Ensemble’, of the School of Applied Arts of the Polytechnic Institute of Castelo Branco, with my students from the Electronic Music and Musical Production course, and guest instrument students with experience in free improvisation. It was premiered in the “Serralves em Festa” music festival, in June 1st 2014, at the library of the Serralves Foundation, Porto.pt_PT
dc.identifier.citationDIAS, R. (2015) - “Breakfast Serialism” for laptop orchestra and improvisers: A study on twelve-tone indeterminacy using computer mediation. In EAW2015 Congresso Internacional de Música Electroacústica, 1, Aveiro, 2015 - A tecnologia ao serviço da música. Aveiro : Universidade de Aveiro. ISBN 978-972-789-462-8. p. 184-189.pt_PT
dc.identifier.isbnISBN 978-972-789-462-8
dc.identifier.urihttp://hdl.handle.net/10400.11/4689
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Aveiropt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectComputer musicpt_PT
dc.subjectMusic technologypt_PT
dc.subjectLaptop orchestrapt_PT
dc.title“Breakfast Serialism” for laptop orchestra and improvisers: A study on twelve-tone indeterminacy using computer mediationpt_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlaceAveiro, Portugalpt_PT
oaire.citation.endPage189pt_PT
oaire.citation.startPage184pt_PT
oaire.citation.title1.º Congresso Internacional de Música Electroacústica de Aveiropt_PT
person.familyNameDias
person.givenNameRui
person.identifier.ciencia-idEB14-E2B4-28EA
person.identifier.orcid0000-0001-8493-7121
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT
relation.isAuthorOfPublicationad59ae42-f12d-4007-84d0-87a34f8e9323
relation.isAuthorOfPublication.latestForDiscoveryad59ae42-f12d-4007-84d0-87a34f8e9323

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