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Publication
A história da arte diante da imagem
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Advisor(s)
Abstract(s)
As presentes páginas têm como intento tecer considerações sobre a história da história da arte. Para alcançar o almejado objetivo, partiu-se dos primeiros textos escritos na Antiguidade. Em seguida, abordou-se os tratados de pintura redigidos a partir do século XIV e o texto inau-gural da história da arte que “nascia” naquele Renascimento. Foram, então, mencionadas as modificações metodológicas estabelecidas por Johann Joachim Winckelmann, no século XVIII. Do século XIX, destacou-se as abertu-ras propostas por Alois Riegl e Aby Warburg. Dos muitos relevantes historiadores da arte do século XX, apontou-se os conceitos defendidos por Erwin Panofsky, Heirich Wölfflin e Ernst Gombrich. Por fim, assinalou-se as mudanças historiográficas atuais empreendidas por dois nomes de destaque: Hans Belting e Georges Didi-Huberman.
The present pages intend to discuss the history of art history. In order to reach the desired objective, it starts with the first texts written in Antiquity. Then, the painting treatises written from the 14th century onwards and the inau-gural text of the history of art that was “born” in that Renaissance were discussed. Then, the methodological changes established by Johann Joachim Winckelmann, in the 18th century, were mentioned. From the 19th century, the openings proposed by Alois Riegl and Aby War-burg were highlighted. Of the many relevant art historians of the 20th century, the concepts defended by Erwin Panofsky, Heirich Wölfflin and Ernst Gombrich were prominent. Finally, the current historiographic changes undertaken by two noticeable names were indicated: Hans Belting and Georges Didi-Huberman.
The present pages intend to discuss the history of art history. In order to reach the desired objective, it starts with the first texts written in Antiquity. Then, the painting treatises written from the 14th century onwards and the inau-gural text of the history of art that was “born” in that Renaissance were discussed. Then, the methodological changes established by Johann Joachim Winckelmann, in the 18th century, were mentioned. From the 19th century, the openings proposed by Alois Riegl and Aby War-burg were highlighted. Of the many relevant art historians of the 20th century, the concepts defended by Erwin Panofsky, Heirich Wölfflin and Ernst Gombrich were prominent. Finally, the current historiographic changes undertaken by two noticeable names were indicated: Hans Belting and Georges Didi-Huberman.
Description
Keywords
Historiografia da arte História da arte Teoria da imagem Art historiography Art history Image theory
Pedagogical Context
Citation
CAMPOS, Daniela Queirós (2022) - A história da arte diante da imagem. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. XV:30, p. -69-76. DOI 10.53681/c1514225187514391s.30.124.
Publisher
IPCB. ESART