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O Vermischter Geschmack na obra de Telemann
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Abstract(s)
No final do século XVII e início do século XVIII encontramos o desenvolvimento particular de um estilo germânico a que se chamou o Vermischte Geschmack, que traduziremos como Gosto Misto Germânico. Neste artigo procuramos identificar brevemente as origens desta tendência estética germânica e caracterizar o conceito destacando as suas maiores influências – germânica contrapontística, francesa e italiana. Para tal, apresenta-se igualmente um excerto de uma obra do compositor que reúne, no nosso entender, estas várias influências numa escrita ao gosto misto germânico – Georg Philipp Telemann. Como metodologia utilizou-se a pesquisa bibliográfica e documental bem como a análise musical descritiva de exemplos da época a que se alude.
ABSTRACT : In the late 17th and beginning of the 18th century found the development of a particular german style which has been called Vermischter Geschmack. In this article we try to briefly identify the origins of this german aesthetic and characterize the concept highlighting its predominant influences – french and italian music, and german counterpoint. To further illustrate this proposal, we present an extract from a piece from the composer whose work, in our understanding ,gather all this influences in a true german mixed taste – Georg Philipp Telemann. Our methodology consisted in bibliographical and documental research as well as the descriptive musical analysis of examples of the late baroque.
ABSTRACT : In the late 17th and beginning of the 18th century found the development of a particular german style which has been called Vermischter Geschmack. In this article we try to briefly identify the origins of this german aesthetic and characterize the concept highlighting its predominant influences – french and italian music, and german counterpoint. To further illustrate this proposal, we present an extract from a piece from the composer whose work, in our understanding ,gather all this influences in a true german mixed taste – Georg Philipp Telemann. Our methodology consisted in bibliographical and documental research as well as the descriptive musical analysis of examples of the late baroque.
Description
Keywords
Telemann Vermischter Geschmack Gosto misto germânico Barroco tardio German mixed taste Late baroque
Pedagogical Context
Citation
SEVERIANO, Débora Bessa (2021) - O Vermischter Geschmack na obra de Telemann. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. Vol. XIV, nº 27, p. 1-6.
Publisher
IPCB. ESART