Loading...
Publication
O concerto para piano op. 20 de Scriabin : sugestões para a resolução de problemas performativos
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 18.39 MB | Adobe PDF |
Authors
Abstract(s)
Este trabalho surgiu da constatação, pelo autor, de que, na preparação do Concerto
para piano e orquestra op. 20 de Alexander Nikolayevich Scriabin (1872-1915), o pianista
se depara com problemas técnicos desafiadores. Pretendeu-se tornar o Concerto mais
abordável entre a comunidade pianística. Os objetivos desta investigação foram: listar e
analisar dificuldades técnicas constatadas pelo autor no seu próprio estudo desta obra; e
sugerir estratégias para a resolução destas dificuldades. Os objetivos são abordados da
perspectiva individual do autor, que regularmente executa em público, enquanto pianista
profissional, obras de Scriabin. As estratégias propostas poderão, discutivelmente, ser
adotadas por outros instrumentistas que, no futuro, se deparem com dificuldades na
preparação desta obra. Poderão, até, ser extrapoladas para o contexto de outras obras
musicais, fomentando, entre os pianistas, um estudo individual analítico com ênfase na
criação de estratégias para resolução de dificuldades técnicas no âmbito da linguagem
scriabiniana. Como complemento à identificação de problemas técnicos e à sugestão de
estratégias para sua resolução, que constitui o cerne deste trabalho, sugere-se a utilização
de alguns Estudos para piano de Scriabin como repertório complementar durante a
preparação do Concerto. Os estudos selecionados incidem sobre dificuldades
identificadas no Concerto; ou incluem passagens semelhantes às que identificamos, no
Concerto, como tecnicamente desafiantes.
Abstract : This work arose from the observation, by the author, that, in the preparation of the Concerto for piano and orchestra op. 20 by Alexander Nikolayevich Scriabin (1872-1915), the pianist often faces challenging technical problems. It was intended, therefore, to make the Concert more accessible for pianists. The objectives of this investigation were: to list and to analyse technical difficulties within this Concerto; and to propose strategies to deal with such difficulties. The objectives are approached from the individual perspective of the author, a professional pianist who often plays Scriabin. The strategies hereby suggested may, arguably, be adopted by other instrumentalists who, in the future, face difficulties in the preparation of this work. They may even be extrapolated to the context of other musical works, thus promoting, among pianists, an individual analytical study with emphasis on creating strategies for solving technical difficulties within the scope of the scriabinian language. As a complement to the identification of technical problems and to the suggestion of strategies for their resolution, which is at the heart of this work, we suggest the use of some Studies for piano by Scriabin as a complementary repertoire during the preparation of the Concerto. The selected studies focus on difficulties identified in the Concert; or include passages similar to those we identified in the Concert as being technically challenging.
Abstract : This work arose from the observation, by the author, that, in the preparation of the Concerto for piano and orchestra op. 20 by Alexander Nikolayevich Scriabin (1872-1915), the pianist often faces challenging technical problems. It was intended, therefore, to make the Concert more accessible for pianists. The objectives of this investigation were: to list and to analyse technical difficulties within this Concerto; and to propose strategies to deal with such difficulties. The objectives are approached from the individual perspective of the author, a professional pianist who often plays Scriabin. The strategies hereby suggested may, arguably, be adopted by other instrumentalists who, in the future, face difficulties in the preparation of this work. They may even be extrapolated to the context of other musical works, thus promoting, among pianists, an individual analytical study with emphasis on creating strategies for solving technical difficulties within the scope of the scriabinian language. As a complement to the identification of technical problems and to the suggestion of strategies for their resolution, which is at the heart of this work, we suggest the use of some Studies for piano by Scriabin as a complementary repertoire during the preparation of the Concerto. The selected studies focus on difficulties identified in the Concert; or include passages similar to those we identified in the Concert as being technically challenging.
Description
Dissertação apresentada à Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco para obtenção do grau de Mestre em Música – Área de Especialização - Piano.
Keywords
Alexander Scriabin Estratégias Concerto Piano Técnica Strategies Technique