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Publication
Bridget Riley e a Op Art : natureza, perceção e representação
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Advisor(s)
Abstract(s)
A exposição – “The Responsive Eye” - de 1965, no Museu de
Arte Moderna de Nova Iorque, trouxe a projeção e o reconhecimento à
Op Art e também a Bridget Riley. A estética de Bridget Riley, faz parte de
um conjunto de práticas experimentais desenvolvidas durante o período
pós-guerra, a partir das quais, alguns conceitos não representacionais são
explorados e desenvolvidos. A sua arte foca-se em transportar até aos
sentidos do observador, as forças imateriais de uma natureza subtil,
recém-concebida; uma natureza comandada pela interação da luz, do
calor e da energia; uma natureza Einsteiniana da dualidade de ondapar
ticula; uma natureza de forças invisíveis. Essa natureza, é revelada nos
seus trabalhos, através de relações plásticas puras, agrupadas através de
uma abordagem fenomenológica, que isola e amplia as formas e as
relações essenciais. A sua prática representacional, passou por três
estágios evolutivos, que se inter-relacionam: (1) compreensão da
natureza da perceção humana, (2) representação da experiência visual e
preceptiva da natureza, culminado com (3) a maneira pela qual o seu
trabalho reflete a compreensão da natureza.
ABSTRACT : The exhibition - “The Responsive Eye” – in 1965 at the Museum of Modern Art in New York, brought projection and recognition to Op Art and also to Bridget Riley. Bridget Riley's aesthetics is part of a set of experimental practices, developed during the post-war period, from which some non-representational concepts were explored and developed. Her art is focused in transport to the observer's senses, the immaterial forces of a subtle nature; a nature which is commanded by the interaction of light, heat and energy; an Einsteinian nature of wavepar ticle duality; a nature of invisible forces. This nature is revealed in her works, through pure plastic relations gleaned through a phenomenological approach that isolates and amplifies essential forms and relationships. Her representational art, had three evolutionary stages, which are interrelated: (1) understanding of the nature of human perception, (2) representation of the visual and preceptive experience of nature and (3) third concerns the ways in which Bridget Riley's work reflects the understanding of nature.
ABSTRACT : The exhibition - “The Responsive Eye” – in 1965 at the Museum of Modern Art in New York, brought projection and recognition to Op Art and also to Bridget Riley. Bridget Riley's aesthetics is part of a set of experimental practices, developed during the post-war period, from which some non-representational concepts were explored and developed. Her art is focused in transport to the observer's senses, the immaterial forces of a subtle nature; a nature which is commanded by the interaction of light, heat and energy; an Einsteinian nature of wavepar ticle duality; a nature of invisible forces. This nature is revealed in her works, through pure plastic relations gleaned through a phenomenological approach that isolates and amplifies essential forms and relationships. Her representational art, had three evolutionary stages, which are interrelated: (1) understanding of the nature of human perception, (2) representation of the visual and preceptive experience of nature and (3) third concerns the ways in which Bridget Riley's work reflects the understanding of nature.
Description
Keywords
Op Art Bridget Riley Elements of nature Patterns Elementos da natureza Padrões
Pedagogical Context
Citation
MANAIA, João Pedro Martins de Almeida (2020) - Bridget Riley e a Op Art : natureza, perceção e representação. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. Vol. XIII, nº 25, p. 1-12.
Publisher
IPCB. ESART