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Sonatas para piano op.35 e op.58 de F. Chopin : compositor vanguardista
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Resumo(s)
Através deste trabalho, o autor pretende estudar, reflectir e validar o conhecimento e vanguardismo do compositor Frédéric Chopin da forma Sonata presentes nas suas duas últimas sonatas para piano Op.35 e Op.58.
Entende-se por estudo a análise do contexto social, das formas musicais precedentes, dos seus antecessores e suas influência. Da sua biografia e daqueles que o rodeavam, bem como através da análise formal de ambas as Sonatas. O autor sustenta o trabalho com a comparação e reflexão de um questionário a três pianistas residentes em França.
Abstract: Through this work, the author intends to study, reflect and validate the knowledge and vanguardism of the composer Frédéric Chopin of the Sonata form present in his last two piano sonatas Op.35 and Op.58.The study concerns the analysis of the social context, the previous musical forms of their predecessors and their influences, their biography and of those who surrounded them, as well as through the formal analysis of both Sonatas. The author maintains the work with the comparison and reflection over an interview to three pianists residing in France.
Abstract: Through this work, the author intends to study, reflect and validate the knowledge and vanguardism of the composer Frédéric Chopin of the Sonata form present in his last two piano sonatas Op.35 and Op.58.The study concerns the analysis of the social context, the previous musical forms of their predecessors and their influences, their biography and of those who surrounded them, as well as through the formal analysis of both Sonatas. The author maintains the work with the comparison and reflection over an interview to three pianists residing in France.
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Palavras-chave
Piano Frédéric Chopin Sonata Op.35 Op.58 Interpretação Análise Interpretation Analysis