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Authors
Advisor(s)
Abstract(s)
Desde a origem do Homem até aos dias de
hoje, a escultura e a joalharia estão presentes
na vida humana numa relação íntima entre si.
As primeiras peças de joalharia remontam a
materiais e técnicas comuns à escultura, tais
como pedras esculpidas. Tanto a escultura
como a joalharia desenvolvem o processo
criativo baseado em discursos baseados em
metodologias, que incluem o valor do desenho, a materialização de objectos e, portanto, técnicas. Têm em comum características
composicionais, simbólicas e de identidade,
tais como tridimensionalidade, volume, escala, espaço e a relação com o corpo humano.
Escultura e jóias como objectos artísticos são
formas de expressão pessoal, independente
e original, combinadas com total liberdade
criativa, que transmitem ideias e sentimentos.
Neste artigo, ao analisar a diversidade de jóias
criadas por vários escultores, internacionais
e nacionais, verifcamos que a linguagem de
identidade de cada autor é transferida para
estes objectos íntimos, tornando-os assim
obras contemplativas.
Abstract : From the origin of Man to the present day, sculpture and jewelry are present in human life in an intimate relationship with each other. The frst pieces of jewelry go back to materials and techniques common to sculpture, such as carved stones. Both sculpture and jewelry develop the creative process based on discourses based on methodologies, which include the value of drawing, the materialization of objects and, therefore, techniques. They have in common compositional, symbolic and identity characteristics such as three-dimensionality, volume, scale, space and the relationship with the human body. Sculpture and jewelry as artistic objects are forms of personal, independent, and original expression, combined with total creative freedom, which convey ideas and feelings. In this article, when analyzing the diversity of jewelry created by various sculptors, international and national, we verify that the identity language of each author is transferred to these intimate objects, thus making them contemplative works.
Abstract : From the origin of Man to the present day, sculpture and jewelry are present in human life in an intimate relationship with each other. The frst pieces of jewelry go back to materials and techniques common to sculpture, such as carved stones. Both sculpture and jewelry develop the creative process based on discourses based on methodologies, which include the value of drawing, the materialization of objects and, therefore, techniques. They have in common compositional, symbolic and identity characteristics such as three-dimensionality, volume, scale, space and the relationship with the human body. Sculpture and jewelry as artistic objects are forms of personal, independent, and original expression, combined with total creative freedom, which convey ideas and feelings. In this article, when analyzing the diversity of jewelry created by various sculptors, international and national, we verify that the identity language of each author is transferred to these intimate objects, thus making them contemplative works.
Description
Keywords
Escultura intima Joalharia Processos metodológicos Intimacy sculpture Jewelry Methodological processes
Pedagogical Context
Citation
MENA, Ana Sofia Moreira (2022) - From sculpture to jewelry : analogies of artistic practices. In RAPOSO, D., ed. [et al.] - Investigação e ensino em design e música. Castelo Branco : IPCB. p. 162-173. (Convergências Research Books ; vol. III).