Loading...
Publication
Artista "perfomer": perspetiva do processo criativo no atelier enquanto lugar de criação artística
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 3.8 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
A presente investigação concentra-se na análise do processo criativo do atelier com o objetivo de procurar entender socialmente o artista plástico e como tornar possível o seu reconhecimento, legitimação e consagração no campo artístico e cultural. Ao longo deste estudo podemos observar que a palavra artista é usada para designar o pintor, cuja atividade específica consiste em produzir obras de arte mediante a utilização dos recursos técnicos, materiais e expressivos com que a pintura se identifica. Sob ponto de vista metodológico, partimos do princípio que embora o atelier seja um lugar de criação e espaço do artista, também se pode adaptar num acervo de obras documentadas e expostas ao longo do processo criativo, como são referenciados nos estudos de caso de artistas consagrados, Rembrant, Henri Matisse, Francis Bacon e Paula Rego em processos criativos dos seus ateliers.
Nesta perspetiva, verifica-se que a plenitude do atelier é considerada como um testemunho da vida do artista, no que concerne à disposição das obras e objetos de forma caótica ou organizada das várias etapas do processo criativo. No âmbito deste tema podemos concluir que a contribuição no processo criativo resulta da realidade objetiva do artista, funcionando como espelho de criação e objeto de análise pela sociedade que o visita, atribuindo-lhe a dinâmica e o verdadeiro sentido cósmico da existência do atelier.
Abstract : This research focuses on the analysis of the studio's creative process with the aim of seeking to socially understand the visual artist and how to make their recognition, legitimization and consecration in the artistic and cultural field possible. Throughout this study we can observe that the word artist is used to designate the painter, whose specific activity consists of producing works of art through the use of technical, material and expressive resources with which painting identifies. From a methodological point of view, we assume that although the studio is a place of creation and space for the artist, it can also be adapted into a collectionof works documented and exhibited throughout the creative process, as referenced in case studies of artists renowned artists, Rembrant, Henri Matisse, Francis Bacon and Paula Rego in creative processes in their studios. From this perspective, it appears that the fullness of the studio is considered as a testimony to the artist's life, in terms of the arrangement of works and objects in a chaotic or organized way in the diferente stages of the creative process. Within the scope of this theme, we can conclude that the contribution to the creative process results from the objective reality of the artist, functioning as a mirror of creation and an object of analysis by the society that visits him, attributing to him the dynamics and the true cosmic meaning of the studio's existence.
Abstract : This research focuses on the analysis of the studio's creative process with the aim of seeking to socially understand the visual artist and how to make their recognition, legitimization and consecration in the artistic and cultural field possible. Throughout this study we can observe that the word artist is used to designate the painter, whose specific activity consists of producing works of art through the use of technical, material and expressive resources with which painting identifies. From a methodological point of view, we assume that although the studio is a place of creation and space for the artist, it can also be adapted into a collectionof works documented and exhibited throughout the creative process, as referenced in case studies of artists renowned artists, Rembrant, Henri Matisse, Francis Bacon and Paula Rego in creative processes in their studios. From this perspective, it appears that the fullness of the studio is considered as a testimony to the artist's life, in terms of the arrangement of works and objects in a chaotic or organized way in the diferente stages of the creative process. Within the scope of this theme, we can conclude that the contribution to the creative process results from the objective reality of the artist, functioning as a mirror of creation and an object of analysis by the society that visits him, attributing to him the dynamics and the true cosmic meaning of the studio's existence.
Description
Keywords
Artista Atelier Artes plásticas Processo criativo Artist Studio Fine arts Creative process
Citation
MONTEIRO, Ilda (2025) - Artista "perfomer": perspetiva do processo criativo no atelier enquanto lugar de criação artística. Convergências : Revista de Investigação e Ensino das Artes. ISSN : 1646 - 9054. Nº 35, Vol.XVIII. p. 153-169. DOI: 10.53681/c1514225187514391s.35.275
Publisher
IPCB.ESART