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Publication
A poesia não-verbal de Bruno Munari
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| 1.52 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Pensar o livro como linguagem visual onde a criatividade está
relacionada com a experimentação e a criação de modelos que
enaltecem a função comunicante do livro, deixando de configurar ao
texto o papel central (objecto), torna-se preeminente na concepção de
um picture book. A exploração das potencialidades dos diferentes
elementos que compõem o livro, desde as características fisicas à
vertente conceptual / artistica / didática quebram os limites impostos
pela forma tradicional e estimulam o indivíduo a pensar e imaginar.
Analisando os álbuns ilustrados de Bruno Munari (1907-1998), artista e
designer, obtém-se um conjunto de perspectivas inteligentes e criativas,
sustentadas por um processo intensivo de pesquisa, onde a narrativa,
através das possibilidades visuais e tácteis e das formas claras e precisas,
confere ao leitor uma experiência livre e pessoal na interpretação do
livro-objecto.
ABSTRACT : Think a book as a visual language where creativity is related to experimentation and the creation of models that enhance the communicating function of the book, leaving the central role (object) to the text, it becomes pre-eminent in the design of a picture book. The exploraon of the potentialities of the different elements that compose the book, from the physical characteristics to the conceptual / artistic / didactic side, break the limits imposed by the traditional form and stimulate the individual to think and to imagine. Analyzing the illustrated albums of Bruno Munari (1907-1998), artist and designer, we obtains a set of intelligent and creative perspectives, sustained by an intensive process of research, where the narrative, through visual and tactile possibilities and clear forms and precise, gives the reader a free and personal experience in the interpretation of the object book.
ABSTRACT : Think a book as a visual language where creativity is related to experimentation and the creation of models that enhance the communicating function of the book, leaving the central role (object) to the text, it becomes pre-eminent in the design of a picture book. The exploraon of the potentialities of the different elements that compose the book, from the physical characteristics to the conceptual / artistic / didactic side, break the limits imposed by the traditional form and stimulate the individual to think and to imagine. Analyzing the illustrated albums of Bruno Munari (1907-1998), artist and designer, we obtains a set of intelligent and creative perspectives, sustained by an intensive process of research, where the narrative, through visual and tactile possibilities and clear forms and precise, gives the reader a free and personal experience in the interpretation of the object book.
Description
Keywords
Linguagem visual Livro-objecto Mise-en-page Nonverbal Forma Visual linguage Picture book Form
Pedagogical Context
Citation
CONSTANTE, Sara (2018) - A poesia não-verbal de Bruno Munari. Convergências : Revista de Investigação e Ensino das Artes. ISSN : 1646 - 9054. Vol.XI, nº 22, p. 1-4.
Publisher
IPCB. ESART