Loading...
Publication
Reinterpretando tradições : o projeto neve insular e a criatividade no tecido cultural de Cabo Verde
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 2.63 MB | Adobe PDF |
Advisor(s)
Abstract(s)
Este estudo explora o projeto NEVE INSULAR como um caso de estudo para entender como as práticas relacionais de arte e design podem fomentar a criatividade social e a sustentabilidade. O projeto desafia a dicotomia tradicional entre inovação e tradição, a qual, historicamente, tem promovido uma visão atomista do indivíduo e contribuído para a exploração da natureza e das culturas. O projeto NEVE INSULAR é analisado no contexto da narrativa histórica ocidental, onde a modernidade é muitas vezes vista como um avanço linear em detrimento das tradições. Esta pesquisa argumenta que mudança e inovação não implicam necessariamente a superação do tradicional pelo moderno, mas que ambos podem coexistir e enriquecer o património cultural material e imaterial. A abordagem adotada envolveu uma análise qualitativa detalhada do projeto NEVE INSULAR, considerando suas práticas, estratégias e a interação entre os participantes. Foram examinados também projetos similares e literatura relevante para comparar e contrastar as abordagens e impactos no campo da arte e design colaborativos. O estudo revelou que o projeto NEVE INSU-LAR contribui significativamente para a sustentabilidade e criatividade social, oferecendo uma alternativa à visão tradicional de modernidade. Ele demonstra como a arte e o design podem ser utilizados para criar um diálogo enriquecedor entre o moderno e o tradicional, promovendo a sustentabilidade cultural, social e ambienta
Abstract : Taking the Insular Snow project as a case study, I intend to show how relational art and design practices can contribute to social creativity and sus-tainability in the way that they run counter to the innovation/tradition dichotomy. A product of the Western historical narrative, the tradition/innovation dichotomy equates Western modernity as the universal telos and, concomitantly, everything that resists its conversion the different knowledges or cultures - as "non-modern", "traditional". Within this narrative, the "modern" is conceived as the acceleration of change and the advancement in time through it, and the "traditional" as the static, fixed in time. In this context, the tradition/innovation dichotomy fosters an atomistic view of the individual context, separate from nature and the cultural context, contributing to the naturalization of social differences and an anthropocentric view of the world, and thus being at the heart of the exploitation of people and nature.I argue here that change and innovation do not imply the overcoming of the traditional by the modern but that, on the contrary, both consti-tute a flow that feeds the tangible and intangible cultural heritage as part of a political process of reinterpretation and creation of historical meaning.
Abstract : Taking the Insular Snow project as a case study, I intend to show how relational art and design practices can contribute to social creativity and sus-tainability in the way that they run counter to the innovation/tradition dichotomy. A product of the Western historical narrative, the tradition/innovation dichotomy equates Western modernity as the universal telos and, concomitantly, everything that resists its conversion the different knowledges or cultures - as "non-modern", "traditional". Within this narrative, the "modern" is conceived as the acceleration of change and the advancement in time through it, and the "traditional" as the static, fixed in time. In this context, the tradition/innovation dichotomy fosters an atomistic view of the individual context, separate from nature and the cultural context, contributing to the naturalization of social differences and an anthropocentric view of the world, and thus being at the heart of the exploitation of people and nature.I argue here that change and innovation do not imply the overcoming of the traditional by the modern but that, on the contrary, both consti-tute a flow that feeds the tangible and intangible cultural heritage as part of a political process of reinterpretation and creation of historical meaning.
Description
Keywords
Criatividade social Práticas colaborativas Cabo Verde Algodão Sustentabilidade Social creativity Collaborative practices Cotton Sustainability
Citation
NOLASCO, Ana (2024) - Reinterpretando tradições : o projeto neve insular e a criatividade no tecido cultural de Cabo Verde. Convergências : Revista de Investigação e Ensino das Artes. ISSN : 1646 - 9054. Vol.XVII, n.º 34, p. 41-52. DOI: 10.53681/c1514225187514391s.34.249
Publisher
IPCB. ESART