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Advisor(s)
Abstract(s)
A associação entre design, moda e artesanato é uma parceria que se exponencia desde o final do século passado em Portugal, e com diversificados caminhos ao longo dos anos, produz diferentes repercussões no cenário atual, no tocante tanto à produção cultural, quanto à de objetos na indústria portuguesa.
Compreendendo a importância desse tópico, o artigo, que faz parte de uma investigação inicial de doutoramento em design, utilizou da pesquisa bibliográfica e documental em uma abordagem exploratória-descritiva para apresentar o estado da arte sobre projetos, marcas e designers de moda portugueses contemporâneos que utilizam técnicas artesanais tradicionais.
A fim de construir um alicerce para um bom posicionamento do design nesta investigação e atuação nesta área, desdobrando-se também para os contributos para a sustentabilidade dos referidos processos, destacam-se o trabalho das designers Helena Cardoso, Alexandra Moura, e das marcas Béhen e Martine Love, que ainda que pouco exploradas academicamente em literatura, se constituem como casos de estudo relevantes para o tema, concluindo que que geram hoje um atrativo para a produção nacional portuguesa e que apontam projeções de impacto para a sustentabilidade da indústria da moda nacional.
Abstract: The association between design, fashion and crafts is a partnership that has been growing since the end of the last century in Portugal, and with different paths over the years, has produced different repercussions in the current scenario, in terms of both cultural production and object produc tion in Portuguese industry. Understanding the importance of this topic, the article, which is part of an initial doctoral investigation in design, used bibliographic and documentary research in an exploratory-descriptive approach to present the state of the art on contemporary Portuguese fashion projects, brands and designers that use traditional craft techniques. In order to build a foundation for a good positioning of design in this research and performance in this area, also contributing to the sustainabil ity of these processes, the work of designers Helena Cardoso, Alexandra Moura, and the brands Béhen stand out. and Martine Love, who, although little explored academically in literature, constitute relevant case studies for the topic, concluding that they currently generate an attraction for Brazilian national production and that they point to impact projections for the sustainability of the national fashion industry.
Abstract: The association between design, fashion and crafts is a partnership that has been growing since the end of the last century in Portugal, and with different paths over the years, has produced different repercussions in the current scenario, in terms of both cultural production and object produc tion in Portuguese industry. Understanding the importance of this topic, the article, which is part of an initial doctoral investigation in design, used bibliographic and documentary research in an exploratory-descriptive approach to present the state of the art on contemporary Portuguese fashion projects, brands and designers that use traditional craft techniques. In order to build a foundation for a good positioning of design in this research and performance in this area, also contributing to the sustainabil ity of these processes, the work of designers Helena Cardoso, Alexandra Moura, and the brands Béhen stand out. and Martine Love, who, although little explored academically in literature, constitute relevant case studies for the topic, concluding that they currently generate an attraction for Brazilian national production and that they point to impact projections for the sustainability of the national fashion industry.
Description
Keywords
Design de moda Artesanato Portugal Fashion design Crafts
Citation
OLIVEIRA, M. Santana de ; ALBINO, C. (2024) - Sujeitos e objetos: trajetórias de produtos artesanais, designers e marcas no design de moda português. In RAPOSO, D. [et al.] - Research and teaching in design and music. Castelo Branco : IPCB. Vol. IV, p. 27-38. (Convergências Research Books Collection). DOI: 10.53681/2024.I03/05
Publisher
IPCB