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Os Romanzen para violino e orquestra de L. v. Beethoven : análise comparativa entre performances
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Esta dissertação tem como foco principal a comparação entre interpretações dos Romanzen para violino e orquestra de Ludwig van Beethoven. Neste caso particular, os materiais utilizados foram gravações visuais e compactos discos.
O objetivo desta investigação é compreender os diferentes modelos de se interpretar as escolhas de cada intérprete e, consequentemente influenciar a nossa maneira de interpretar os Romanzen. Importa referir que os intérpretes são de escolas violinísticas distintas e que suas gravações estão afastadas por anos, sendo interpretações dos séculos XX e XXI.
No desenvolvimento da comparação foi adotada uma análise estilística de elementos musicais (duração e andamento, vibrato, articulações e sonoridade), aplicada às interpretações, de maneira a retirar segmentos que permitem um entendimento interpretativo de cada interpretação. Deste modo, é possível chegar a considerações eloquentes e estruturas de cada intérprete, escolhidas junto com suas visões performativas.
Abstract: The main focus of this dissertation is the comparisons between interpretations of L.V. Beethoven's Romanzen for violin and orchestra. In this particular case, the material used was video recordings and compact discs. The aim of this research is to understand the different interpretative models, the individual choices of each performer and, consequently, to exhibit our own way of interpreting the Romanzen. It is important to note that the interpreters belong to different violin schools and that their recordings are years apart, encompassing the 20th and the 21st century. In the elaboration of these comparisons, the approach taken was that of an aesthetic analysis of musical elements (duration and tempo, vibrato, articulation and sonority) applied to interpretations, by using segments that allow for an interpretative understanding of each performer. Thusly, coherent conclusions and structures for each interpreter are revealed, along with their performative vision.
Abstract: The main focus of this dissertation is the comparisons between interpretations of L.V. Beethoven's Romanzen for violin and orchestra. In this particular case, the material used was video recordings and compact discs. The aim of this research is to understand the different interpretative models, the individual choices of each performer and, consequently, to exhibit our own way of interpreting the Romanzen. It is important to note that the interpreters belong to different violin schools and that their recordings are years apart, encompassing the 20th and the 21st century. In the elaboration of these comparisons, the approach taken was that of an aesthetic analysis of musical elements (duration and tempo, vibrato, articulation and sonority) applied to interpretations, by using segments that allow for an interpretative understanding of each performer. Thusly, coherent conclusions and structures for each interpreter are revealed, along with their performative vision.
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Beethoven Romanzen para violino e orquestra Comparação de performances Processo criativo Romanzen for violin and orchestra Performance comparisons Creative process